Abstract

Fascism is a fluid and unknown phenomenon in the world of politics and especially in the field of governance, a phenomenon whose nature; despite all the efforts of theorists and thinkers in the field of political and social sciences, remains in an aura of ambiguity. Fascism is like a mirror room in allegory, every essence that is placed in it is lost in thousands of images of its kind and this confusion is the same populism that the idea of fascism seeks in different social strata as its destination. In this article, we try to provide general results from the origins of fascism; its characteristics and patterns of behavior, especially in the field of pluralism and how it treats modernity, by providing explanations of fascism research, to finally find out which political component or components fascism with such a fluid nature seeks to achieve. In a sense, the purpose of this article is to investigate and explain the relationship between fascist institutions and modernity and how to use its indicators. The research method of this article is descriptive-analytical which has explained the subject with an interpretive-critical approach. The analysis of this article is based on a systematic method based on the keywords of fascism and modernity.

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