Abstract

This article analyses two Venda ngano narratives that portray coming-of-age experiences. Viewed in juxtaposition, they express the radical shift from premodern modes of material and symbolic production to the reified consciousness of capitalist relations. This shift implicates the rootedness of local world views and global market forces within colonial and Western history, as well as contemporary political and economic conditions. The first narrative accordingly describes a classic rite of passage towards adulthood and citizenship within an ancient, precolonial world. Its protagonist is the culture hero whose society prioritises qualities and ideals like spirituality and social integration. In contrast, the second story is located in the colonial world. Its young hero migrates from his rural village to the city, and his adventure is an embryonic representation of the sociopolitical and racial dynamics of the colonial encounter. His actions evolve within a modernist world view, specifically a rational materialism driven by a teleology of progress that conceives economic organisation as the mediator of social relationships and personal fulfilment. The engagement of these diverse world views with history is explored from a perspective that aligns the ancient Venda concept of zwivhuya with Fromm’s notion of qualitative freedom, of actualisation in all realms of human experience and of transcendence in all forms. The resplendent materiality presented in the second narrative is accordingly argued to conceal a spectre of fear and incomplete selfawareness. This poses a dilemma that speaks to all humanity, namely the need to transform the actual poverty of reified materiality into the wealth of an integrated world.

Highlights

  • The hero with a thousand faces lives onThis discussion revolves around two stories narrated at the same event in 2011 in the village of Folovhodwe, situated in the Musina district

  • The notion of non-material wealth is evident in Shona ngano narratives

  • The man uses the magic egg to build a large settlement, implying not its concrete quality but the wealth of human relationships it contains

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Summary

Introduction

The hero with a thousand faces lives onThis discussion revolves around two stories narrated at the same event in 2011 in the village of Folovhodwe, situated in the Musina district. The first stage of this process involves separation from community, and it is usually triggered by some predicament.19 Drought commonly initiates action in ngano, showing how diverse personality types shape ensuing conflict.20 Young Dzwee aptly refuses to help his family find food, argues with his parents and, in a fit of petulant immaturity, leaves home.

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