Abstract
The Foundling Museum’s recent small exhibition ‘The Fallen Woman’ forms a salutary contrast with the considerably larger show ‘Splendour and Misery: Pictures of Prostitution, 1850-1910’ at the Musee d’Orsay, Paris (22 September 2015–17 January 2016). The Paris show, dedicated to the depiction of the ‘realities and fantasies’ of female prostitution–male prostitution, a thriving concern in this era, being singularly absent–lent heavily on the ‘fantasies’, serving up the masculine objectificatio...
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