Abstract
Tate Britain, London, 2 November 2017–7 May 2018 It is difficult to read the introduction to this show at the beautiful Tate Britain without a thought for our present difficulties with the European Union. Following the destruction of Paris in the Franco-Prussian War and the Paris Commune, thousands of French people, including over 3000 Communards and their families, were able to cross to Britain and settle here without restriction. They were welcomed with open arms. Among these exiles were many artists, and the stories of some of them, by no means all paid-up Impressionists, are told in this intriguing, …
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: The British journal of general practice : the journal of the Royal College of General Practitioners
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
