Abstract

David Hockney Tate Britain London , 9 February 2017–29 May 2017 One of the nice things about going to a David Hockney exhibition is that almost everyone comes out smiling. This was certainly true at the recent Tate Britain retrospective David Hockney: 60 years work which brought together, in a compact show in only 12 rooms, key pictures from the 1960s to the present. Rather like a visit to the Frick Collection in New York, a Hockney exhibition contains almost nothing ugly, visceral or alarming, although it raises plenty of questions. I am hopeful that a visit to the Life &Times section of the BJGP also puts a smile on some of our readers’ faces, and makes you ask some questions. I trust that you will not think it too fanciful if I draw some parallels between Hockney’s career and the development of the Journal, and of general practice more broadly. Peter Getting Out of Nick’s Pool acrylic paint on canvas by David Hockney, 1966. Photograph by Richard Schmidt. Copyright David Hockney, National Museums Liverpool, Walker Art Gallery. Hockney is 80 this year, despite being a dedicated smoker, and began his …

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