Abstract

Uncertainty is a standard condition under which large parts of art-historical and curatorial knowledge creation and communication are operating. In contrast to standard levels of data quality in non-historical research domains, historical object and knowledge collections contain substantial amounts of uncertain, ambiguous, contested, or plainly missing data. Visualization approaches and interfaces to cultural collections have started to represent data quality and uncertainty metrics, yet all existing work is limited to representations for isolated metadata dimensions only. With this article, we advocate for a more systematic, synoptic and self-conscious approach to uncertainty visualization for cultural collections. We introduce omnipresent types of data uncertainty and discuss reasons for their frequent omission by interfaces for galleries, libraries, archives and museums. On this basis we argue for a coordinated counter strategy for uncertainty visualization in this field, which will also raise the efforts going into complex interface design and conceptualization. Building on the PolyCube framework for collection visualization, we showcase how multiple uncertainty representation techniques can be assessed and coordinated in a multi-perspective environment. As for an outlook, we reflect on both the strengths and limitations of making the actual wealth of data quality questions transparent with regard to different target and user groups.

Highlights

  • Researchers and mediators of knowledge from the humanities and the arts are living in interesting times

  • Uncertainty Sources: Given these different datafication techniques, uncertainty is seeping into cultural collection databases either through the historical object information itself, it can be introduced through digitization procedures of analogue object information (OCR, transcription, database creation), uncertainty can be introduced by feature extraction, or through processes of human sensemaking, interpretation, and categorical annotation

  • Options for visualization: When it comes to visual representations of data quality, geo-spatial uncertainty might be the most extensively explored data dimension, as maps are in use since ancient times and experts have to deal with positional uncertainty on a daily basis [30,31]

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Summary

Introduction

Researchers and mediators of knowledge from the humanities and the arts are living in interesting times. Visualization of cultural collections has become a research and development field of its own, oriented towards a unique constellation of rich data, diverse (i.e., expert and non-expert) users, and a corresponding variety of heterogeneous tasks [8]. With the following considerations we will recollect related work (Section 2) and document a whole spectrum of data quality dimensions for cultural collections (Section 3) Building on this collection, we will explore how to handle this omnipresent variety of uncertainty challenges during the visualization design process—and showcase a conceptual assessment of techniques for the PolyCube framework of collection visualization [10], which aims to represent cultural data and its many uncertainties in a more synoptic and systematic fashion (Section 4). We will discuss related challenges and future work (Section 5)

Related Work
Object Uncertainty
Temporal Uncertainty
Geospatial Uncertainty
Set-Typed Uncertainty
Uncertainty in Graphs and Trees
Uncertainty of Attributes
Provenance Uncertainty
Uncertainty Encoding Techniques
The PolyCube Project
Discussion
Uncertainty Visualization—Cui Bono?
Uncertainty Visualization in the Humanities—In Dire Need for Future Studies
Conclusions
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