Abstract

ABSTRACT This paper draws inspiration from the observation that Byzantine icons in Greek museums are exhibited in an unrestored state, with traces of damage and loss kept visible, in contrast with the majority of painted artworks. To identify the reasoning behind this approach to public presentation, research based on interviews with scholars in the field was conducted. The main issues they raised are summarized and discussed. Conservation ethics, the interests of scholars of the Byzantine period, ideological ferment in Greece between the two world wars, the impact of historical events and the role of religion as a living tradition in Greece are themes that recurred throughout the interviews. It appears that along with scientific and rational developments, broader ideologies and aesthetics that derive from evolving social influences also influence conservation decision-making.

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