Exemplary sound and hearing in sensory treatises from the early modern Spanish-speaking world

Abstract

ABSTRACTThis essay considers sound in sensory treatises from the seventeenth-century Hispanic world: Jerónimo Becerra’s Estvdioso discvrso philosophica anathomia, y theatro ingenioso de los organos y sentidos interiores, y exteriores del hombre (Mexico, 1657); Tratado de los bienes del silencio y males de la lengua, attributed to rector of the Colegio de Manila Diego de S. I. Bobadilla (Manila, 1645) and Diego Calleja’s Talentos logrados, en el buen uso de los cinco sentidos (Madrid, 1700). My purpose is to draw out the authors’ engagement with aural discourses that intersect with other areas of early modern thought. Above all, I underscore the reconciliation of existing ideas about sound’s spiritual significance with developments in medicine and anatomy. The study is the first in-depth examination of each of the three treatises it considers. It advances our understanding of seventeenth-century sound culture and underscores the need for re-reading cultural production from this time period through an aural lens.