Abstract
This chapter takes a more critical stance towards the review to examine its cultural conservatism and reticence towards identity politics. The review’s literary tastes, largely shaped by the legacies of Georges Bataille and Maurice Blanchot, are shown to harbour a sense of artistic exceptionalism which often precludes representations of the everyday, and therefore also limits political solidarity with those usually defended by Lignes. Despite the racial or gendered exclusions it can produce, literary elitism or conservatism is in itself not necessarily criticised, but the hostility to mass culture inculcated by some aesthetic Marxist approaches is seen to be politically unhelpful in the present moment and other approaches to cultural politics in Lignes are sought. After Alain Badiou’s Circonstances 3 caused a row over anti-Semitism and the critique of Israel, it is suggested that the strategic essentialism of Judith Butler provides a more appropriate stance compared to Badiou’s strategic universalism. Lastly, Lignes’ virtual silence on gender and sexuality issues (a stance softening in recent issues) is contrasted to the Parti Socialiste’s progressive measures on parity, PACs and gay marriage.
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