Abstract
Antony Hudek: Could you introduce Excavated Mutilations, your Courtauld Gallery exhibition?Conrad Atkinson: The project started because I was on sabbatical from the University of California at Davis. Eric Fernie, [then] director of the Courtauld Institute, and I met, and I told him that I was going to be in England for most of 2002. We thought it would be good to create a link with the Courtauld. A little later I proposed to do an exhibition in response to the works in the collection, which is obviously the first thing that an artist would want to get involved with. Eric agreed that it was a good idea.
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