"Examples Are Best Precepts": Readers and Meanings in Seventeenth-Century Poetry

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Previous articleNext article No Access"Examples Are Best Precepts": Readers and Meanings in Seventeenth-Century PoetryJohn M. WallaceJohn M. Wallace Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 1, Number 2Dec., 1974 Article DOIhttps://doi.org/10.1086/447788 Views: 12Total views on this site Citations: 12Citations are reported from Crossref Copyright 1974 The University of ChicagoPDF download Crossref reports the following articles citing this article:Emre Özmen “Aunque las mujeres no son Homeros con basquiñas y enaguas y Virgilios con moño…”: Zayas y su arte de novelar, JANUS. Estudios sobre el Siglo de Oro , no.1010 (Sep 2021): 458–488.https://doi.org/10.51472/JESO20211024Jitka Štollová Richard III and Regicide: Thomas Wincoll’s Plantagenets Tragicall Story (1649), English Literary Renaissance 49, no.33 (Aug 2019): 360–389.https://doi.org/10.1086/704509Robert D. Hume Axiologies: Past and Present Concepts of Literary Value, Modern Language Quarterly 78, no.22 (Jun 2017): 139–172.https://doi.org/10.1215/00267929-3812585James Siemon “The Power of Hope?” An Early Modern Reader of Richard III, (Nov 2007): 361–378.https://doi.org/10.1002/9780470996546.ch18Stephen Pender The Open Use of Living: Prudence, Decorum, and the ‘Square Man’, Rhetorica 23, no.44 (Nov 2005): 363–400.https://doi.org/10.1525/rh.2005.23.4.363Robert D. Hume The politics of opera in late seventeenth-century London, Cambridge Opera Journal 10, no.11 (Aug 2008): 15–43.https://doi.org/10.1017/S0954586700005310John Miller Plotting a cure: The reader in Robert Burton's anatomy of melancholy, Prose Studies 20, no.22 (Aug 1997): 42–71.https://doi.org/10.1080/01440359708586613 John M. Wallace Otway's "Caius Marius" and the Exclusion Crisis, Modern Philology 85, no.44 (Oct 2015): 363–372.https://doi.org/10.1086/391649 Janel Mueller The Mastery of Decorum: Politics as Poetry in Milton's Sonnets, Critical Inquiry 13, no.33 (Oct 2015): 475–508.https://doi.org/10.1086/448405John F. Moffitt Painting, music and poetry in Velázquez's Las Hilanderas, Konsthistorisk tidskrift/Journal of Art History 54, no.22 (Sep 2008): 77–90.https://doi.org/10.1080/00233608508604076Eugene R. Cunnar Milton's "Two Handed Engine": The Visionary Iconography of Christus in Statera, Milton Quarterly 17, no.22 (May 1983): 29–38.https://doi.org/10.1111/j.1094-348X.1983.tb00545.xSteven Zwicker, Derek Hirst Rhetoric and Disguise: Political Language and Political Argument in Absalom and Achitophel, Journal of British Studies 21, no.11 (Jan 2014): 39–55.https://doi.org/10.1086/385781