Examining the Phenomenology of Human Experience in Design Process and Characteristics of Architectural Approaches

Abstract

Research into phenomenological contexts of architecture has been shaped by shifting dynamics, the influences of changes within societies and their relationship to human perception. The sensory construct of Steven Holl’s architectural design heritage can be ascribed to ‘natural phenomena’ theories that seek philosophical revelation in the process of understanding architectural design. Phenomenological theories are characterised by the relational premise between architecture’s sensitivity to the focal design inspiration and the innate human sensory perceptions of atmosphere and material culture, resulting in an aesthetically balanced, fluid and organic framework, enriching building character and positioning humanity rather than spatial rationality. To evaluate the contribution of phenomenological architecture, an outstanding project work of American architect Steven Holl in planning and creating the building design for St Ignatius Chapel, an institution of religious worship in United States was analysed to understand how the use of forms, textures, light and shadow affect the spatial perception of architectural space. The use of visual perspective to reflect on the phenomenology of spatial and material suggests the importance of intrinsic sensory experiences intertwined the architectural design process, as they weave in ‘human’ content, our emotions, intuitions and organic dimensions of relations with others, providing buildings and places depth in aesthetic meaning.