Abstract
Hilary Mantel’s Thomas Cromwell Trilogy, including “Wolf Hall” (2009), “Bring up the Bodies (2012) and “The Mirror & the Light” (2020) helps us to dive deep into the scenario of Tudor England, where religion and politics intertwined in varied ways. This research paper delves into Hilary Mantel’s portrayal of Tudor England, exploring how she paints the entire trilogy with high accuracy in historical information, well designed characters, and powerful drama to illuminate the complex relationship between religion and politics.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: International Journal For Multidisciplinary Research
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
