Abstract
ABSTRACT In this study, we use a narrative inquiry approach to understand how students construct their artistic voices as part of their educational experience in California community college dance classes. Data collection techniques included semi-structured interviews, video recordings of a dance performance, and a reflective one-page journal where participants described the attributes of their artistic voices. Participants included ten community college dance students. We used socio-cultural theories and the Laban Movement Analysis (LMA) framework to analyze individuals’ personal construction and movement vocabulary. We present three findings to inform dance teachers. First, deeper self-understanding was a foundational component of students’ artistic voice. Second, the performance of the artistic voice was guided by students’ construction of personal-interpretative narratives that inspired their bodily choices. Third, the construction of the artistic voice was sustained through three types of power negotiation (compliance, resiliency, and resistance).
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
