Abstract
These interviews with Vanessa Tomlinson, Louise Devenish, and Claire Edwardes, three Australian percussionists from different cities, examine the various factors involved in shaping their individual work. The interviewees provide insights into the current contemporary percussion scene in Australia. We began by talking about their work, influences, education, and background. Then, we discuss select ground-breaking percussion developments that are important to them. This leads to discussions about cutting-edge musical activities taking place around the country. Finally, we discuss musical inclinations which are only possible because of ‘things uniquely Australian’. The questions are particularly designed to explore how geographical remoteness and isolation play a role in steering musical leanings in the country. We also discuss the topics of place and sound, intercultural music making in a multicultural society, and the influence of indigenous heritage on contemporary music. These interviews took place over Skype and via email correspondences.
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