Abstract
Interview with Inuk artist Barry Pottle from Nunatsiavut in Labrador (Rigolet). Photographs are selected from ten years of photography based on his experiences and observations as an urban Inuk. This conversation provides insight into Pottle’sphotographic practice, particularly the artist’s process of learning the art and technical processes of photography and why his photographs matter in the process of Canadians facing their complicities in Canada’s ongoing colonialism. Pottle’s practice produces unique knowledge about Inuit culture and history through his eyes as an urban Inuk photographer.
Highlights
Barry Pottle is an Inuk artist originally from Nunatsiavut in Labrador (Rigolet)
Over the last fifteen years, he has become known for a unique and original body of photography based on his experiences and observations as an urban Inuk
Pottle et al.: Evolving Knowledge: The Photography Practice of Contemporary Inuk next to some images, where they can access video of the artist speaking about his work as well as print downloads of his CV and exhibition record
Summary
Barry Pottle is an Inuk artist originally from Nunatsiavut in Labrador (Rigolet). He presently lives in Ottawa, Ontario, where he works with the federal government. Over the last fifteen years, he has become known for a unique and original body of photography based on his experiences and observations as an urban Inuk. Pottle et al.: Evolving Knowledge: The Photography Practice of Contemporary Inuk next to some images, where they can access video of the artist speaking about his work as well as print downloads of his CV and exhibition record.
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