Abstract
Bombay Gnanam (Gnanam Balasubramanian) started the all-women Mahalakshmi Ladies Drama Group (MLDG) in 1989. It hasn’t been easy for the women to take time from family responsibilities, but they make the time because the troupe provides a space for them to talk about their issues with other women as well as a creative outlet through which they can act on stage. The MLDG has made a niche for itself in the male-oriented sabha theatre scene in Chennai, gaining acceptance as well as praise from even respected male Hindu religious leaders. I discuss the story of the MLDG and argue that their own identities as educated, affluent middle-class Brahmin women along with strategic storytelling and staging methods has allowed them to not only avoid censure but to become popular with the conservative, traditional Brahmin community in Chennai while bringing controversial topics to the stage. They have developed strategies over the years that range from basic cross-dressing to criticizing the actions and attitudes of other women, presenting all perspectives to an issue, leaving the plays without resolution so that audiences can insert their own values, and recently allowing male voices onto the stage through recordings.
Published Version
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