Abstract

This article is devoted to the study of the evolution of the lyrical image in the ballets of Azerbaijani composers. The presented article emphasizes that the Azerbaijani ballet on the extension of the history of the Azerbaijani school of composition functioned indefinitely as an important component of the Azerbaijani musical culture. The theme of this article is actualized in the aspect of the historical approach, as each ballet of Azerbaijani composers, on the other hand, reflected the significant features of the artistic, historical and cultural context. On the other hand, the study of the evolution of the lyrical image in the Azerbaijani ballets reflects the dynamics of the development of the Azerbaijani school of composition. Moreover, the figurative system in Azerbaijani ballets represents the slender line of artistic connections of Azerbaijani culture. The purpose of the research is to study the role of the lyrical image in the evolution of the Azerbaijani ballet. The research methodology is based is based on the use of a historical approach to determine the basic definitions of the study. The expediency of the historical method is due to the fact that the development in the space of historical time should be based on certain basic categories that would reflect the school of composition, its national specifics. The scientific novelty of the research is that for the first time the peculiarities of the evolution of the lyrical image in Azerbaijani ballets – from its origin to modern functioning – are analyzed; the nuances of style creation in the Azerbaijani school of composers in the specified aspect are considered, and also certain art processes are systematized. Conclusions. It is proved that the combination of deep lyricism with dramatic emotions is characteristic of the transfer of lyricism in the drama of ballets at all historical stages of development, in different stylistic contexts. Lyrical images in the ballets of Azerbaijani composers have similar features and are due to the specific content of the national worldview.

Highlights

  • Azerbaijani ballet on the extension of the history of the Azerbaijani composition school has functioned indefinitely as an important component of the Azerbaijani musical culture

  • The scientific novelty of the enterprise, which is included in this article, is that the first analyzes the peculiarities of the evolution of the lyrical image in the Azerbaijani ballets – from the awakening to its modern functionality; the nuances of stylization in the Azerbaijani composition school are considered in the specified aspect, and certain artistic processes are systematized

  • Ballet miniatures are distinguished by musical dynamics, certain properties of dramatic development, in which it becomes necessary to concentrate the maximum content in a miniature form; 7

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Summary

Introduction

Azerbaijani ballet on the extension of the history of the Azerbaijani composition school has functioned indefinitely as an important component of the Azerbaijani musical culture. Composers of all generations devoted themselves to ballet, turning to this kind of musical theatre. The history of Azerbaijani music has in its treasure trove such. 2021 4(2) 179-187 masterpieces as the ballet “Maiden's Tower” by Afrasiab Badalbeyli, “Seven beauties” by Kara Karaev, “1001 nights” by Fikret Amirov, “Legend of Babeken” by Arif Malikov. The scientific novelty of the enterprise, which is included in this article, is that the first analyzes the peculiarities of the evolution of the lyrical image in the Azerbaijani ballets – from the awakening to its modern functionality; the nuances of stylization in the Azerbaijani composition school are considered in the specified aspect, and certain artistic processes are systematized

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Main research material
Conclusions
ЕВОЛЮЦІЯ ЛIРИЧНОГО ОБРАЗУ В БАЛЕТАХ АЗЕРБАЙДЖАНСЬКИХ КОМПОЗИТОРІВ
ЭВОЛЮЦИЯ ЛИРИЧЕСКОГО ОБРАЗА В БАЛЕТАХ АЗЕРБАЙДЖАНСКИХ КОМПОЗИТОРОВ
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