Abstract

The trends in Indian classical dance reveal that its structure is highly disorganized. Indian classical dance is a constantly evolving field that dominates opportunities and ideological grounds. Dance genres are the most exemplary manifestations of human aesthetic originality and freedom and dancers usually fail to achieve respect and equality as a result of the reformation of expressing diverse roles. Leela Samson, a dance critic, stated until the early 20th century, the dance was a vital part of temple ritual. A period of degeneration, however, set in during British rule. “The British anti-notch campaign was encouraging a reform of Indian society. The origins of the Jogini can be traced back to mediaeval South India. Regarded as temple property, the major responsibility of a Jogini — also known as a 'devadasi' — would be to participate in cultural activities pertaining to the shrine. Dance degenerated from being a heavenly creation to being disrepute and then regained its respect.Mughal India was awash with courtesans in both Hindu and Muslim courts.

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