Abstract

It is desirable to determine which of the many different spatial audio reproduction systems listeners prefer, and the perceptual attributes that are most important to listener experience, so that future systems can be perceptually optimized. A paired comparison preference rating experiment was performed alongside a free elicitation task for eight reproduction methods (consumer and professional systems with a wide range of expected quality) and seven program items (representative of potential broadcast material). The experiment was performed by groups of experienced and inexperienced listeners. Thurstone Case V modeling was used to produce preference scales. Both listener groups preferred systems with increased spatial content; nineand five-channel systems were most preferred. The use of elicited attributes was analyzed alongside the preference ratings, resulting in an approximate hierarchy of attribute importance: three attributes (amount of distortion, output quality, and bandwidth) were found to be important for differentiating systems where there was a large preference difference; sixteen were always important (most notably enveloping and horizontal width); and seven were used alongside small preference differences.

Highlights

  • There is a wide range of spatial audio reproduction methods used for domestic or professional audio replay

  • The results show little difference between the 5-channel and 9-channel reproduction methods, suggesting that height content is not always beneficial, or results in little increase in preference— there are specific program items where the preference score is increased with the addition of height channels

  • A literature review into the attributes that are important when making preference judgments between spatial audio reproduction methods identified a number of limitations of the existing research

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Summary

Introduction

There is a wide range of spatial audio reproduction methods used for domestic or professional audio replay. Systems include mono and two-channel stereo, channelbased surround sound methods (5.1, 7.1, 9.1, 11.1, and 22.2 [1] are all used domestically or within the audio industry), “one box” solutions such as sound bars, and reproduction over headphones. With such a wide range of methods in use, it is important to discover what aspects of spatial audio reproduction enhance the listener experience. The problem was approached from two directions: determining listener preference for certain systems and ascertaining the perceptual characteristics of the differences between the systems By collecting both quantitative and qualitative data, the relationship between the attributes and preference scores could be investigated. This facilitated analysis of the perceptual attributes that most contribute to creating a positive listener experience

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