Abstract
Introduction by Benjamin D. Carson The Playwright's Theatre: O'Neill's Use of the Provincetown Players as Laboratory - Jeff Kennedy 'Why d'yuh hate me so?': Between Sensationalism and Sociology in O'Neill's The Web - J. Chris Westgate Eugene O'Neill's Abortion and Standard Family Roles: The Economics of Terminating a Romance and a Pregnancy - Lesley Broder The Movie Man , the failure of aesthetics? - Thierry Dubost 'God stiffen us...': Queering O'Neill's Sea Plays - Phillip Barnhart Epistemological Crises in O'Neill's S. S. Glencairn Plays - Michael Y. Bennett 'The Curtain is Lowered': Self-Revelation and the Problem of Form in Exorcism - Kurt Eisen 'Ain't nothin' dere but de trees!' Ghosts and the Forest in The Emperor Jones - Paul D. Streufert Neither Fallen Angel nor Risen Ape-Desentimentalizing Robert Smith - Thomas F. Connolly Waiting for O'Neill: The Makings of an Existentialist - Steven F. Bloom O'Neill's Hughie : The Sea Plays Revisited - Robert Combs Condensed Comedy: The Neo-Futurists Perform O'Neill's Stage Directions - Zander Brietzke
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