Abstract
Part 1 Language and culture: American folk art, fine art, and Eudora Welty - aesthetic precedents for Lily Daw and Three Ladies, Ruth D.Weston June Recital - Virgie Rainey saved, Carey Wall Contradictors, Interferers, and Prevaricators - opposing modes of discourse in Eudora Welty's losing battles, Susan V.Donaldson Assault of Hope - style's substance in Welty's the Demonstrator, Suzanne Ferguson. Part 2 Women: Eudora Welty and dutiful daughter, Elizabeth Evans strategy of Edna Earle Ponder, Marilyn Arnold sibyis in Eudora Welty's stories, Peter Schmidt how not to tell a story - Eudora Welty's first-person tales, Ann Romines. Part 3 Visible connections: terrible and marvellous Eudora Welty's Chekhov, Jan Nordby Gretlund realities in Sir Rabbit - a frame analysis, Daun Kendig from metaphor to manifestation - artist in Eudora Welty's A Curtain of Green, Cheryll Burgess of suffering and joy - aspects of storytelling in Welty's short fiction, Daniele Pitavy-Souques. Part 4 Endurance and change: going to Naples and other places in Eudora Welty's fiction, Noel Polk from civil war to civil rights - race relations in Welty's A Worn Path, Nancy K Butterworth falling into cycles - Golden Apples, Thomas McHaney Where Is The Voice Coming From? - teaching Eudora Welty, Ruth.M.Vande Kieft.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
