Abstract
During the early to mid-nineteenth century, the expanding market revolution caused the broad distribution of a wide variety of mass-produced goods, even to frontier regions of the United States. This analysis uses the material assemblages from three contemporaneous sites (ca. 1840–50) in southwestern North Carolina that represent the households of Cherokee and white tenants and enslaved African Americans. Analyses of three distinct artifact classes suggest a homogenized material culture in which faunal remains are more illustrative than other artifact classes in identifying ethnicity.
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