Abstract
As a crossing point of the ideological options, of ethnic issues and confessional confrontations, the Romanian culture seems to obey the alternating rhythm of the historical loss of memory and, at the same time, of the anamnesis. On this background, the present times always appear as being doubtful, always menaced. Such tearing proved to be advantageous to the proliferation of many ideologies which found the ideal scene for materialization. Thus, the literary ideologies appear as natural reflexes to this kind of tectonics. In fact, there is not any specifically Romanian in all these phenomena. Ruptures have always been instrumented and used in ideological battles everywhere on the earth.
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