Abstract
El artículo propone interrogar el problema de la disoluciónde la representación en el arte contemporáneo proponiendola condición de la indiscernibilidad para definir una nuevadimensión estética del presente. Con sustento en la filosofíade Arthur Danto y de Gilles Deleuze, se indaga acerca delproblema de los objetos indiscernibles y con esto se identificancaracterísticas necesarias para definir las estéticas de laindiscernibilidad del arte contemporáneo, entendido comoun trastorno de la mímesis.
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