Abstract

This essay explores the figure of the writer-activist as a specific figure for our times. In “Walking with the Comrades,” Arundhati Roy transforms the genre of the essay by hitching it to a more expansive postcolonial and internationalist tradition that breaks through the conventions of the properly English essay. Roy’s generic restlessness speaks to her alignment with grassroots movements for social justice and opens up important questions about the politics of representation that has dominated Anglophone postcolonial criticism. This essay concludes by pointing to the urgency of reformulating solidarity beyond the politics of representation.

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