Abstract
This article reflects on the continuity of the tradition of the danse macabre, based on the literary and visual testimonies created from the fourteenth century onwards and whose themes are present in the imaginary of the sixteenth, seventeenth and eighteenth centuries. This tradition is present in the American sphere; its adaptations will be reviewed, as well as the influence exerted by Fabio Glissenti's Discorsi morali in Bolaños’ La Portentosa vida de la Muerte.
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