Escenarios de conflictividad histórica: la «masacre de Trelew» desde el cine argentino

Abstract

Within the audiovisual narratives, the cinema is one of the sources that we allow the approach to the construction of meaning and understanding of the historical past and the forms of representation of social processes, both in its documentary style or «fictional». In this work we present reflections on the revolutionary unrest of the ’60–’70 from a milestone especially valuable as the case of the so–called «massacre of Trelew» in Argentina. The analysis was performed from the forms of audiovisual narratives provided by the films Ni olvido ni Perdon (Raymundo Gleyzer, 1973) and Trelew. Historia de una fuga (Mariana Arruti, 2004). Enter from the audiovisual narratives requires us to look in places of historical and political discourse perhaps less frequented, not to draw correspondences or exemplifications between the theoretical foundations and the productions of the film, but to explore in the latter, crystallizations of definitions, contradictions and tensions that on these conflicting developments could be expressed. The problematics of different cultural and historical circumstances are exposed and articulate in the cinematographic productions of very different modes and senses. Escenarios de conflictividad historica. Bolcatto