Abstract
Ian Verstegen, 2010 “A classification of perceptual corrections of perspective distortions in Renaissance painting” Perception 39(5) 677 – 694 On the second page of the paper (page 678), line 3 from the bottom Giorio: should read Giorgio On the third page (page 679), line 17 from top neglil: should read negli On the third page, line 26 from top Practica: should read Pratica On the fourth page (page 680), line 10 from top incompability: should read incompatibility The electronic version ( http://dx.doi.org/10.1068/p6150 ) has been corrected accordingly as of 8 August 2010. Chris Chafe, Juan-Pablo Cáceres, Michael Gurevich, 2010 “Effect of temporal separation on synchronization in rhythmic performance” Perception 39(7) 982 – 992 E-mail address of the first author: jcaceres@ccrma.stanford.edu : should now read cc@ccrma.stanford.edu On the third page of the paper (page 984, section 2.1.1, line 9) precorded: should read pre-recorded The electronic version ( http://dx.doi.org/10.1068/p6465 ) has been corrected accordingly as of 16 August 2010.
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