Abstract
The article examines constructions of the sexual in some writings by Gabriele Stötzer-Kachold, specifically through an analysis of the author's attempt to reclaim the derogatory term Votze . This aspect of Stötzer-Kachold's art is contextualized with reference to the general reception of her work as authentic autobiography, the notion of the sexual as taboo in GDR literature, and more general issues of feminism and feminist theories. Such a contextualization recognizes the importance of this author's feminist writing, while also evidencing the difficulties involved in such a project of revision and redefinition. (BL)
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Women in German Yearbook: Feminist Studies in German Literature & Culture
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
