Abstract
Emerging from a Barthian perspective on the necessary impossibility of preaching, this paper articulates an erotic phenomenology for preaching as a means of knowing and speaking about God in contemporary ecclesial contexts. It draws upon the philosophies of Jean-Luc Marion, Luce Irigaray, and Emmanuel Levinas to sketch the contours of a method for sermon development that respects the alterity of the Word as revealed in and through Scripture.
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