Abstract
In the collective memory of Eritreans, the liberation struggle against Ethiopia symbolises the heroic fight of their fallen martyrs against oppression. After independence, the Eritrean People’s Liberation Front created an autocratic regime, which is adored by many second-generation diaspora Eritreans living in democracies. I engage with bodies of literature exploring the political importance of collective trauma in post-conflict societies and apply two theoretical notions, “postmemory” and “chosen trauma,” to explain how the government’s narrative of Eritrean history produced a culture of nationalism through the glorification of the martyrs. This narrative and the trauma experienced by their parents created experiences of postmemory among the second-generation diaspora that have influenced their worldview. I demonstrate how Eritrean pro-government activists utilise US-born artists who recently discovered their Eritreanness, such as Tiffany Haddish, to instil long-distance nationalism. The article is based on a social media analysis, long-term observation of Eritrean diaspora communities, and recent fieldwork.
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