Abstract

This article argues for the distinctive nature of cognition involved in correspondence, arguing that this cognition is highly creative and in corollary, arguing that this cognition is positioned within social and cultural conditions that must be considered in a full analysis. The author argues that letters are often written from the perspective of an “embodied epistolary present,” the letter writer’s temporal, spatial, and corporeal viewpoint depicted through the use of present tense and other markers. The author further elaborates the relationship between correspondence and common ground. The embodied epistolary present facilitates the “imagined copresence” of writer and recipient (possible through conceptual blending), which the author describes as “the fictitious conceit that a recipient is present to serve as an interlocutor during the writer’s embodied compositional present.” Like the face-to-face conversation that it simulates, epistolary discourse depicted with imagined copresence relies on the common ground shared by the writer and recipient; the author argues that the common ground also shapes other discourse modes present in correspondence including narrative episodes and reporting. The author further shows that epistolary discourse reflects cultural norms, shaping what writers include and elide. To demonstrate all these points, the author draws examples from the letter collection Mistress of Riversdale: The Plantation Letters of Rosalie Stier Calvert, 1795–1821, edited by Margaret Law Callcott (1992). Calvert was a plantation mistress in postrevolutionary Maryland who corresponded with intimate relatives in Belgium; as such, Calvert’s letters demonstrate both the imaginative work that letters deploy and the common ground that shapes epistolary content.

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