Abstract
Since the publication of Joseph Conrad’s novella Heart of Darkness, published in serial form in 1899, there were several texts that purported to ‘rewrite’ the Conrad text. Often the relationship with the master text was remote, if not tenuous. Another rewriting of Conrad’s text came with the publication of Eben Venter’s Trencherman, first published under the Afrikaans title Horrelpoot. This text studiously mimicked the master text not only by using excerpts from it as epigraphs to each chapter, but overtly and covertly wove images and words from the Urtext into its narrative. The questions confronting a reader like myself, who is not conversant with Afrikaans, were whether this was an act of plagiarism or an exercise in intertextuality; or whether this was an act of sensationalism designed to promote sales. These questions formed the basis of an intertextual exploration of both texts. What followed was a close reading of Conrad’s text, side-by-side with Trencherman to identify their intertextual links. The theoretical basis was provided by Kristeva and Barthes. The investigation confirmed that Trencherman was indeed an exercise in intertextuality, not simply qua intertextuality but rather as a dialogical engagement with the Conradian master text. The conclusion arrived at was that Trencherman validated itself as an intertextual response to deconstruct the Conrad text and to transpose its scenario to a dystopian, post-democratic South Africa.
Highlights
Once in a while texts appear – written or visual – that resonate with Joseph Conrad’s controversial novella, Heart of Darkness, first published in serial form in 1899
What are we to make of the novel Trencherman by Eben Venter (Venter [2006] 2008), an expatriate South African living in Australia? In this text, originally written in Afrikaans under the title Horrelpoot (2006),1
Following the template of its master text, Trencherman traces Marlouw’s journey by air and land to find his nephew, who might be gravely ill; and like Charles Marlow in Heart of Darkness, who during the course of his quest learns from various people about Kurtz, the protagonist of Venter’s novel learns about Koert from certain characters he meets on his nightmarish journey to the Eastern Cape, where Koert is holed up on the neglected farm Ouplaas
Summary
Once in a while texts appear – written or visual – that resonate with Joseph Conrad’s controversial novella, Heart of Darkness, first published in serial form in 1899. Following the template of its master text, Trencherman traces Marlouw’s journey by air and land to find his nephew, who might be gravely ill; and like Charles Marlow in Heart of Darkness, who during the course of his quest learns from various people about Kurtz, the protagonist of Venter’s novel learns about Koert from certain characters he meets on his nightmarish journey to the Eastern Cape, where Koert is holed up on the neglected farm Ouplaas.
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