Abstract

The paintings and prints of Agostino Brunias (1730–1796) served not only to visualize some of the British Empire's newest colonies following the conclusion of the Seven Years' War, but also to encourage settlement by presenting a utopian vision of slave societies that were content, wealthy, and, most importantly, self-sustaining. This article argues that Brunias's imagery contributed to the ameliorationist rhetoric that accompanied the rise of abolitionism in Britain. By avoiding scenes of plantation labor, discipline, and punishment, and emphasizing instead the refinement, robust health, and fertility of slaves and free people of color, it purported to confirm that amelioration could safeguard slavery's future.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.