Environmental performance (aesthetics, discourse, operations)

Abstract

While eco-aesthetics and ecocritical discourse have been reflected in (recent) performance studies, their relation to operational ecology and sustainable modes of production needs to be further developed terminologically and methodologically. The paper discusses the intersection of aesthetic, discursive, and operational approaches of the performative arts to ongoing environmental and climate destruction. It positions itself vis-à-vis their diverse forms of knowledge and action and proposes ways of their transformative interweaving. Rather than continuing to pit artistic and administrative interests against each other, thereby reaffirming or even deepening the Great Divide between aesthetics and operations, the paper argues for connecting these fields in theory and practice in such a way that they can respond to each other conceptually, question their respective assumptions, and experiment with transformative potentials that approximate the radicality, magnitude, and complexity of current and future environmental challenges.