Abstract
Abstract This essay investigates different kinds of storytelling found in Afro-Cuban religions. The term "interorality" describes how narrators and audiences interact, collaborate, and help construct the meaning of narratives. The piece uses fieldwork and ethnographic writing to illustrate how Afro-Cuban religious storytelling allows for the fluid interpretation of gender, race, and sexuality by different members of the religious community. Storytelling here also affords opportunities where Cuba’s cultural and historical frictions are negotiated through moments of religious affect.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
