Abstract

This article discusses the Parnassian and Symbolist influences in the poem Musa Impassivel I, by Francisca Julia (1874-1920). The theoretical-methodological course started with bibliographical research and the qualitative approach supported by readings and reflections of authors such as Almeida (2009), Candido & Castello (2007), among others. On the basis of the content, it was concluded that the Parnassian influence resides from the formal aspect of the sonnet - the Parnassian ideal par excellence - to the thematic aspects of the poem, considering that the sonnet under study approaches concepts and rules for itself make poetic. On the other hand, the symbolist influence, as in the case of the Parnassian one, can also be evidenced in the sonnet, but with some differences, since the author's approach is not limited to the formal requirements of poetic procedures. Quite the contrary, the poet mixes various themes, such as the faith and story of characters in the biblical narrative. Moreover, in the symbolist construction, the preference for light tones was evident, as one could perceive in the choice of the adjective candid.

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