Abstract
Western musicology has traditionally treated musical source material—manuscripts, autograph scores, writings, early editions—as an essential component of scholarly investigation. However, scores and other music-related material from contemporary Korean composers, absent any central archiving institution, tend to accumulate only on an individual basis. Recently, South Korean governmental institutions have begun to promote and fund individuals seeking to establish a comprehensive archive for contemporary Korean music; nonetheless, many challenges remain due to the complex nature of music documentation and publishing culture in South Korea.
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