Abstract
ABSTRACT This article deals with entangled acts of memory in contemporary art that intertwine memories of a violent past with human rights violations or experiences of bloody conflicts in the present to study their potential for solidarity and justice. The article argues that the aim of Kristina Norman’s video art is not only to create awareness of human rights issues in the present, but to also reflect on esthetic, ethical, and political problems related to entangled remembering, in particular (1) the role of space as a trigger of entangled memory, (2) the role of discursive norms and visual frames in the asymmetrical distribution of recognition, and (3) questions of the politics of art dealing with human rights, cultural memory, and recognition.
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