Abstract
The following text explores performative art works commissioned within a specific “arts and health” cultural setting, namely that of a medical school within a British university. It examines the degree to which the professional autonomy of the artists (and curator) was “instrumentalized” and diminished as a result of having to fit into normative frames set by institutional agendas (in this case, that of “the neoliberal university”). We ask to what extent do such “entanglements,” feel more like “enstranglements,” suffocating the artist’s capacity to envision the world afresh or any differently? What kinds of pressures allow for certain kinds of “evidence” to be read and made visible, (and not others)? Are You Feeling Better? was a 2016 programme curated by Frances Williams, challenging simplistic expectations that the arts hold any automatic power of their own to make “things better” in healthcare. It included two performative projects – The Secret Society of Imperfect Nurses, by Anthony Schrag with student nurses at Kings College London, and Hiding in Plain Sight by Becky Shaw (plus film with Rose Butler) with doctoral researchers in nursing and midwifery. These projects were situated in a climate of United Kingdom National Health Service cuts and austerity measures where the advancement of social prescribing looks dangerously like the government abnegating responsibility and offering art as amelioration. The text therefore examines the critical “stage” on which these arts-health projects were performed and the extent to which critical reflection is welcomed within institutional contexts, how learning is framed, expressed aesthetically, as well as understood as art practice (as much as “education” or “learning”). It further examines how artistic projects might offer sites of resistance, rejection and mechanisms of support against constricting institutional norms and practices that seek to instrumentalise artistic works to their own ends.
Highlights
We explore two live artworks that made space “for” performance – “through” performance – within the pre-existing structure of an institution of higher education
In Picture Imperfect: Utopian thought for an Anti-Utopian Age (2005), Russell Jacoby argues that utopias are important because it is through them that we develop aspirations, and from those aspirations we develop political change: Utopian thinking does not undermine or discount real reforms
At the same time though both seek to make forms of “space” that offer a portal to another space, a parallel world with a slightly different climate
Summary
Its floors and walls are a bland colour. There is a pile of nondescript stackable chairs in a corner. A pleated curtain draws around an empty bed. There is a trolley with some medical equipment on top of it. There is a table with a computer and a box of latex gloves. It appears to be a perfectly normal hospital room, and everything is still and quiet, like a stage before the actors arrive
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