Abstract
This article has two parts: a prelude, or prosaic introduction to its artistic research content, and the body of the work, which explores through metaphor, rhythmic wordplay, description, and still image, the making of the 2008 music-video-dance experiment Intimacies. The article uses an adapted performance-writing style to explore the results of a somatic process that yoked together interests in touch, membrane and emotion, with a studio process exploring the notion of intimacy, intensity, contact and the skin. Intended as an immersive experience in the subjective memory of a creative process, it celebrates encounter.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
