Abstract
El artículo propuesto presenta una mirada que relaciona el saber y hacer de dos grandes maestros del teatro colombiano, con los momentos sociales, políticos y económicos que consolidaron un movimiento teatral, que durante dos décadas lideraron las corrientes creativas del Teatro Latinoamericano, se busca también hacer un recorrido por sus procesos creativos y aportes significativos al teatro mundial.
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