Abstract

Absolute pitch (AP) is the ability to identify the frequency or musical name of a specific tone, or to identify a tone without comparing it with any objective reference tone. While AP has recently been shown to be associated with morphological changes and neurophysiological adaptations in the planum temporale, a cortical area in the brain involved in speech perception processes, no behavioral evidence of speech-relevant auditory acuity in any AP possessors has hitherto been reported. In order to seek such evidence, in the present study, 15 professional musicians with AP and 14 without AP, all of whom had acquired Japanese as their first language, were asked to identify isolated Japanese syllables as quickly as possible after these syllables were presented auditorily. When the mean latency to the syllable identification was compared, it was significantly shorter in AP possessors than in non-AP possessors whether the presented syllables were those used as Japanese labels representing the 7 tones constituting an octave or not. The latency to hear the stimuli per se did not differ according to whether the participants were AP possessors or not. The results indicate the possibility that possessing AP provides one with extraordinarily enhanced acuity to individual syllables per se as fundamental units of a segmented word in the speech stream.

Highlights

  • Absolute pitch (AP) is the ability to identify the frequency or musical name of a specific tone, or to identify a tone without comparing it with any objective reference tone (Martin and Perry, 1999; Levitin and Rogers, 2005; Vanzella and Schnellenberg, 2010)

  • 2 (AP possessor versus non-AP possessor) × 2 analysis of variance (ANOVA) revealed a significant main effect [F(1,27) = 12.176, p = 0.002], and the mean latency to the presented stimulus was significantly shorter in the AP possessors than in non-AP possessors

  • Previous research demonstrated that the basic auditory capability does not differ between AP possessors and non-AP possessors (Fujisaki and Kashino, 2002)

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Summary

Introduction

Absolute pitch (AP) is the ability to identify the frequency or musical name of a specific tone, or to identify a tone without comparing it with any objective reference tone (Martin and Perry, 1999; Levitin and Rogers, 2005; Vanzella and Schnellenberg, 2010). Whether the extraordinary ability of AP is genetically determined or develops dependently on environmental variables still remains a controversial issue (Levitin and Zatorre, 2003; Drayna, 2007), there is a general consensus that musical training in childhood is important for its acquisition (Zatorre, 2003). Neurophysiological effects of such musical experiences have been investigated using neuroimaging methods. Those investigations have consistently found that while the right hemisphere is in general important for musical processing, increasing musical sophistication causes a shift of musical processing from the right to the left hemisphere (Elbert et al, 1995; Schlaug et al, 1995; Pantev et al, 1998; Tervaniemi et al, 2000). More recently, the stronger left PT activation has been recorded in AP possessors than in non-AP possessors (including professional musicians; Hirata et al, 1999; Ohnishi et al, 2001; Gaab et al, 2006; Wu et al, 2008; Oechslin et al, 2010)

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