Abstract
There is no doubt that the rise of the Greek drama, as evident in the classical writings of Aeschylus, Sophocles, and Euripides, had left a predominant impact on the Elizabethan writings of comedies. However, it was the tragedies that stood supreme. Yet, their appeal to the mass Elizabethan audience for their brutal images displayed on stage would not have been emotionally captivating had it not been for the Roman classic works of Ennuis and Seneca which paved the way for an era ever destined for genius minds in the theatrical world. Imitated by the Italian and French literary works, the Senecan tragedies, in particular, had indeed inspired the Elizabethan theatre, for they were widely modeled by some great Elizabethan dramatists. Hence, this paper is an attempt to revisit the historical writings of Seneca and observe his artistic vision of staging tragedies as adapted and projected in Thomas Kyd’s The Spanish Tragedy. Key words: Senecan tragedies, Stoicism, Gorboduc, Senecan dramatic machinery, the Spanish tragedy.
Highlights
Spanish TragedyThere is no doubt that the rise of the Greek drama, as evident in the classical writings of Aeschylus, Sophocles, and Euripides, had left a predominant impact on the Elizabethan writings of comedies
C. in the Southern city of Cordova in Spain, Lucius Annaeus Seneca was a son of an intellectual family; his father, known as Senecan the Elder, was a history writer
Eliot is haste to admit that, Seneca‟s stylistic devices were attractive in the eyes of the Elizabethan playwrights, certain aspects in their theatre were rather novel and owe nothing to the Senecan tradition: When we examine the plays of Seneca, the actual horrors are not so heinous or so many as are supposed
Summary
There is no doubt that the rise of the Greek drama, as evident in the classical writings of Aeschylus, Sophocles, and Euripides, had left a predominant impact on the Elizabethan writings of comedies. It was the tragedies that stood supreme. Their appeal to the mass Elizabethan audience for their brutal images displayed on stage would not have been emotionally captivating had it not been for the Roman classic works of Ennuis and Seneca which paved the way for an era ever destined for genius minds in the theatrical world. This paper is an attempt to revisit the historical writings of Seneca and observe his artistic vision of staging tragedies as adapted and projected in Thomas Kyd’s The Spanish Tragedy
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