Abstract

I propose here to continue my exploration and survey of the history of that quintessentially tenth-century script form, English Square minuscule. Since 1987, when my account of the background and earliest phases of the script was published in this journal, new material and new thinking have encouraged continued investigations into Anglo-Saxon script of the 930s and the use of Square minuscule at Canterbury in particular. These factors must serve as a justification for taking a further look at Phase II before proceeding to a preliminary and provisional account of the styles of the 940s, 950s and early 960s. This is a self-contained era which concludes with the origination and propagation of Anglo-Caroline script. The closing phases of Square minuscule will have to await treatment in a third instalment of this essay, as will consideration of some of the larger issues advertised in 1987. However, since it is critically intertwined with the mid-century phases of script history, I shall discuss here (as promised at the outset) the role of the royal chancery in calligraphic developments.

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