English Poetry

Abstract

The English Renaissance, the age of William Shakespeare, Christopher Marlowe, Sir Philip Sidney, Ben Jonson, John Donne, and John Milton, was one of the most brilliant periods in Western literary history for the production of great poetry. Yet the scope of its achievement is so varied that any effort to account for its multiplicity is inordinately challenging. Between 1509, with the reign of Henry VIII, until the end of the Commonwealth in 1660, nondramatic poetry of the most varied kind—from epic to ballad—found a voice and an audience in recitation, manuscript circulation, and print. The period’s ideals were inscribed in the heroic narratives of Edmund Spenser’s The Faerie Queene and John Milton’s Paradise Lost, in a culture that embraced the epic as a means of political and theological reflection. But just as Renaissance poets looked outward at the turbulent world of early modern history, which they measured in terms of a mythic glorious past, they simultaneously gazed inward to focus on basic issues of identity and subjectivity, being especially attentive to the intricate trajectories of human desire. Beginning with the lyric poetry of John Skelton and Sir Thomas Wyatt, the blending of native, classical, and Continental influences added richness to verse that easily moved from the high to low, from earnest self-scrutiny and entreaty to mockery, play, disdain, and detachment. These qualities would mature in Shakespeare’s Sonnets. English Renaissance poetry is customarily divided chronologically in two ways. Scholars distinguish between either the 16th and 17th centuries or between Tudor (1485–1603) and Stuart (1603–1649) periods. The division between Tudor and Stuart poetry is useful, for instance, in tracing how different poetic concerns, such as satire and religious poetry, challenged sonnet and epic. It helps account for how a growing insistence on “strong lines” of condensed poetic thought found expression in both the measured Augustan style of Ben Jonson and the mannered wit of John Donne. But these divisions can also obscure significant similarities as well between writers such as Spenser and Jonson or Sidney and Milton, who share surprisingly similar attitudes on a variety of literary, political, and social issues. For quality, rhetorical genius, emotional complexity, depth, and variety, the poetry of the English Renaissance is unsurpassed.