Engagement, Psychological Fit, and Evolution in Movies on Our Minds

Abstract

Abstract Cutting's quantitative approach to analyzing films enables him to discover many fascinating and important design features of mainstream movies as well as how they have changed over cinema's history. Cutting also proposes plausible psychological explanations for some of these features and changes. However, Cutting places his empirical findings and his psychological explanations of them within a broader account of what he calls the evolution of cinematic engagement. For Cutting, movies have “evolved” to better “fit” our psychological capacities and have therefore become more “absorbing.” While some aspects of this account are plausible, others are less so. In this article, I therefore focus critically on Cutting's use of the concepts of “evolution,” “psychological fit,” and “engagement.”