Abstract
The China–Pakistan Economic Corridor is a featured project of China’s Belt and Road Initiative that is creating new resource frontiers in Tharparkar, Pakistan. Centered around coal mining and energy production, these new sites of resource extraction and their infrastructures have sparked dissensus throughout the Desert district of Sindh, Pakistan. Our analysis draws on research on socio-technical imaginaries and Rancière’s thoughts on political change and aesthetics. In doing so, we examine how political dissensus is represented though graffiti and works in contrast to the socio-technical imaginaries represented by the state in public signage. The differences, we suggest, represent socio-technical counter imaginaries that form a politics that disrupts the established socio-political order embedded within the political goals of the China–Pakistan Economic Corridor. These counter imaginaries have important implications for the creation of just and equitable opportunities for people impacted by the emerging coal extraction and power generation complex. Our ethnographic approach provides a street-level analysis of the politicization of imagined socio-technical futures in the Tharparkar desert and emerging energy resource frontiers.
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