Enemy at the Gates: Soviet Sambo and the US Martial Arts Community, 1964–1980

Abstract

Sambo, an acronym commonly derived from the Russian Samozashchita Bez Oruzhiya (self-defence without weapons), is a Soviet created grappling martial art noted for its assortment of painful holds, heavy throws, and take downs. Originally part of a secret military training syllabus with roots in judo, the sport was officially adopted by the USSR All-Union Sports Committee in 1938. Throughout the Cold War period, Soviet sambo slowly inserted itself into the wrestling halls and martial arts dojos of the United States, capturing the attention of American judoka and wrestlers. Sport sambo arrived in the United States at a time in which the Cuban missile crisis remained fresh in the memories of the citizenry while young Americans were being drafted to fight communists in the Vietnam war. Though Cold War tensions had cooled somewhat compared to the days of McCarthyism, the Soviet-US rivalry continued to colour public discourse, permeating every facet of American society. This paper breaks new ground in Western scholarship by analyzing the reception of sambo in the USA during the 1960s and 70s by the professional martial artists and athletes, in the lead up of the 1980 Olympics against the political backdrop of the Cold War.